
| Kenneth Woods, conductor |
| “Playful brilliance...” Austin American Statesman “Brimming with personality, affection and freshly imagined drama...” Washington Post “A conductor with true vision and purpose...” Peter Oundjian, Music Director, Toronto Symphony |
| "Kenneth Woods led a performance of Elgar's Enigma Variations with such commitment and passion that one could not help but be stirred by the power of it." Elgin Valley News |
| The Washington Post praises Kenneth Woods’ performances as “alive and engaging," calling him a “true star” and an “up-and- coming conductor.” The Cincinnati Post calls him "alert, efficient and confident" and Leonard Slatkin chose Kenneth Woods as one of only four young conductors to make their debuts with the National Symphony Orchestra as part of the 2001 National Conducting Institute. |
| The very latest in the papers- "Kenneth Woods revealed a strong empathy for Vaughan Williams' music... a convincing performance of this major work which, although composed during World War II, seems to hark back to more placid times. The slow movement was a profoundly spiritual experience while the closing passacaglia sounded decidedly upbeat as if confident of better times ahead. "While some may dispute that... Schumann's Second is the greatest symphony written since Beethoven, Woods' tense and driven interpretation certainly confirmed it as a work of stature. Schumann composed it after his first mental breakdown, and the monumental first movement mirrored his titanic struggle to recover his sanity. A few rays of hope could be spotted in the bustling Scherzo but a dark mood underpinned it. Nor was there any respite in the Adagio which a strong performance from the string section rendered intensely moving. The Cheltenham Echo, May 28, 2009 "The concert ended with the young Beethoven’s symphony no. 1 in C under Kenneth Woods. The execution of this work was a triumph, well articulated, vigorous and controlled. It was tempting to break into applause after the first movement. Strong dynamic contrasts, steady, harmonious woodwind, brass and string combinations and delicate phrasing featured in the Andante. The Minuet was successfully Allegro molto e vivace and the last movement was impressive, the dynamics, intonation, unison playing and other details, all a pleasure to listen to. Congratulations to the violins and the brass sections in this last movement for their excellent coordination." Surrey Advertiser, March 9, 2009 "The second half was devoted entirely to Brahms’s Symphony No 2. This ambitious undertaking was pulled off with considerable aplomb, much credit being due to the conductor Kenneth Woods’s obvious affinity for the work and his ability to convey his intentions to his willing subjects. The performance had real drive and was especially commendable for the beautifully judged timpani and some excellent solo horn playing. The string sound was fulsome and the woodwind played with forthright agility" The Hereford Times, November 10, 2008 "Surrey Mozart Players' latest concert, at the Electric Theatre, drew a capacity audience and proved a memorable conclusion to this year's Guildford Spring Festival. The overture to Schumann's opera Genoveva, with its richly varied moods, showed the orchestra at its best and convinced us that the piece deserves a more central place in the repertoire The Surrey Advertiser, March 13, 2008 “Woods looks like a younger, dark-haired William Hurt...he and ... Pendleton's unlikely symphony orchestra give Mahler the ride of his life" David Stabler, The Oregonian, Sunday, May 27, 2007 “A remarkable finale to the evening: Shostakovich’s Chamber Symphony op 73a. The Surrey Mozart Players produced a very moving performance of this very difficult work. The cataclysmic nature of the third movement certainly produced an effect I think not experienced by the Electric Theatre ever before. This performance was a triumph." The Surrey Advertiser, July 3, 2007 "American rock and classical musician Kenneth Woods seemed a born conductor in his recent city debut. His second appearance with the Nottingham Philharmonic underlined that impression with performances combining excitement and integrity." Peter Palmer, Nottingham Evening Post, March 12, 2007 "American conductor Kenneth Woods certainly knows his way around the orchestra, in terms of cueing, balance and structure, as was evident throughout the culminating performance of Dvorak’s Eighth Symphony… a full-bodied, rich performance of a … high standard... " Michael Tumelty, The Herald, Glasgow, December 6, 2006 More critical acclaim here |
| -Contact- info@kennethwoods.net |